Twenty Murals matrices (20X5X1 cm c.ca) for augmented reality logging into twenty 3D animations (each 1’) 2018. LINK VIDEO

From live architecture & Fourth dimension banner: “NULL (void *)0” suspended architecture. Series of marble sculptures 2012-2017. 42X27X8 cm.

The immobile-indomitable Banner-Marbles from the wall emit imaginary concepts of space-time as if they were primordial representations of suspended aesthetics. The marbles standing on the wall emitting this void allure as an escape from the wall towards a soothing contemplation though the sculpture void we can only imagine.

From live architecture & Fourth dimension banner: “NULL (void *)0” a material cause architecture. Series of marble sculptures 2012-2017. 45X21X7 cm.

The immobile-indomitable Banner-Marbles from the wall emit imaginary concepts of space-time as if they were primordial representations of suspended aesthetics. The marbles standing on the wall emitting this void allure as an escape from the wall towards a soothing contemplation though the sculpture void we can only imagine.

From the Fourth dimension banner "Marble Climate objects” series of virtual reality video sculptures on marble, plus 360° Animation 3,30” 2012-2017.

From the Fourth dimension banner “Climate Objects” series of virtual reality video sculptures on wall, 360° Animation 2,30” 2012-2017.

From the series Live Architectures: “Anaglyph white composition ”GIF-sculpture 1', 2016. Link foto & Instagram.

From the series Live Architectures: “Dimensioning extrusion n1 ”GIF-sculpture 13'', 2015. Link foto & Instagram.

“Eraser-sculptures” AR installation composed by some geometric figures painted in fresco and by a series of forty diverse rubber sculptures made in various colors and dimensions, made using 3-D printer, 2013-2015.

From the series Live Architectures: “Dimensioning” LINK, Geometric breakpoints” LINK and “Hidden Forces” LINK. Site-specific - Augmented Reality video installations composed by diverse fresco-points overlaid by several AR 3D-movies, 2015.

"Compression n7", 35 X 50. New edition 2015.

"Compression n6", 35 X 50. New edition 2015.

"Compression n5", 35 X 50. New edition 2015.

"Compression n4", 35 X 50. New edition 2015.

"Compression n3", 21 X 29,7. New edition 2015.

"Compression n2", 21 X 29,7. New edition 2015.

"Compression n1", 21 X 29,7. New edition 2015.

I've re-edited The “Compressions”, a series of digital images derived from one of my first sequences of animations and Plexiglass-paintings I made in a wide range production from 1997 to 2001.
The new paintings (are not stills from the animation) are characterized from a constant study on the shape, geometric and often essential, joined to a three-dimensional and dynamic vision of the virtual space, where synthetic shapes become design, structure, architecture and reality.
The images are digital manipulation of rockets I turned into synthetic-basic architectures titled by me: “compressions-containers”. Through the manipulation I proposed, the rockets disappear in straight lines and points, reappearing under the guise of defused bombs, because transformed into architectures.

"Predicting in Augmented Space" and the whole series: "Extemporary LAnd Art onGoogle Earth" is available.
Plexiglass-paintings and Augmented Reality technology, 2014.

“Wag displacement map”, is a unique video sculpture (realized 2014) of the monthly Widget Art Gallery exhibition during February 2012. It's made using a 3-D printed ABS-plastic and a digital video frame 8’. High 22 cm. Width 16 cm. Depth 7 cm. WAG main page here.
Every month the wag hosts a solo show related to its dynamic site-specific context. So, the idea is to sell in various virtual auctions (using ebay), some unique video sculptures, as unique pieces of the “exhibition of the month”. The video-sculptures are made by the always-different wag sculptural environment and by its exclusive digital artwork hosted inside a video device.

"Live sculpture" 2011. Software-art piece. It runs only on Mac-OSX, from Leopard to the latest version. This software-artwork could be considered a unique piece. Although it is digital and reproducible, it appears different every time thanks to the specators' ever-changing subjectivity. "Live sculpture" restores the aura of digital artwork and solves the issue related to the multiple in art. It's a multiple but always a different one.

"Live sculpture" 2011. Interactive video sculpture. Custom hardware & software, golden frame on wood pedestal.

"Speaking at the wall" 2008. Unique (software generated) still printed on clear adhesive mounted between two sheets of plexiglass (35x35 cm). Other unique stills of "Speaking at the wall" are ready to be printed in various measurements.

"The Acid House” Ceramic scupture 1998. Height 25 cm, length 60 cm, width 37 cm.

"Time bomb the love!" interactive sculpture, dim. var. 1998.